Spatial-temporal audiovisual prototype (2019)
What it could be: https://editor.p5js.org/djmalinowski/present/n4BNBn9_i What it is: https://editor.p5js.org/djmalinowski/present/n4BNBn9_i
Here Be Dragons (2019)
Audience instructions: To perceive this piece, please use the Weighted Pitch Network/Harmony-Building Method (applied to more dimensions than just harmony), explained below: In order to use this method, an audience…
Inconceived (Deconceived) (2018)
For fixed media [5:00]. Experiential art and/or conceptual art? Also, time might change your perception
VisualCloud (2018)
For SoundCloud track with accompanying waveform visualization [0:50]. Dedicated to https://soundcloud.com/djmalinowski/visualcloud
Construction 0 (2018)
For fixed media [6:03]. Structure = {house, techno, trance}.inform; Production methods = {house, techno, trance}.inform; Concept = }{
Outsides (2018)
For pianist, four method actors/actresses, and electronics. Composed for Joseph Hart. Outsides explores performance anxiety, the relationship between life and art, being inside a cage, and different possible relationships between…
Network (2018)
For audience with smartphones and/or computers [4:00]. In Network, the audience scrolls through and stylistically reads words from a YouTube track in which the temporal dimension of the form is…
Invincible (2018)
For vocalizing alto saxophonist and 24-channel sound system [30:00 - 39:00]. Composed for Kyle Hutchins. Invincible uses the Weighted Pitch Network/Harmony-Building Method (described above) to create ambiguous, undefinable harmonies in…
Thousand (2018)
For fixed media [1:44]. Over a backdrop of continual spatial transfusion of clean digital energy, a grungy saw threatens. Performances Apr 20, 2018. Pritchard Hall, Blacksburg, VA. Presented on loop…
Charred (2017)
For fixed media [3:52]. Charred plays with the tension between a sound source's usual peacefulness and its unusual spatialization. Performances Apr 27, 2018. Perform Studio, Moss Arts Center. Blacksburg, VA.…